Thursday, May 02, 2013

GREG MULLEN AND A TOUR OF COSMIC AMERICA



greg1Published on thebomberjacket.com.
Greg Mullen snubbed out the joint he’d been smoking just as the bus pulled up. He was wearing a cowboy hat with the sides curled in and big white, heart-shaped sunglasses. He was traveling with only a suitcase and a guitar. High and exhausted, he took his seat and the mystical voice of the bus driver came through the speakers. He said, “Let me be the first to welcome you to the future,” and then the image of everything around doubled, splitting apart horizontally into the cyans and magentas of a 3D image. The bus took off, bringing Mullen to a strange and wondrous place hidden somewhere under the surface of the everyday USA.
On Greg Mullen’s second record, There Are AMERICAS Beyond This America by Greg Mullen and the Cosmic American Band, he assumes the role of the “Cosmic American Bus Driver,” musically guiding you through a land you know well but have never seen before. A place where sculpture gardens grow in backyards and your pockets are full of shooting stars, a place where dogs can laugh, a place with devastating 15-foot waves of molasses, a place where Joan of Ark rides the subway with Mr. Clean and Commissioner Gordon, a place where devils hide in the mountains waiting to snatch your tongue, a place where the Seine, the Charles, and the Zambezi rivers converge into one steady trickle, a place where you can digitize the whole experience on social media websites to make your ex-girlfriend jealous…a place called “Cosmic America.”

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Saturday, February 23, 2013

The Craters :: Velcro



Some new hi-fi from The Craters. I still love their Teenage High School.

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Saturday, February 23, 2013

Michael Collins :: Violet Flame


Some new stuff I just found from the ex-Prince Ramanator.

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Thursday, October 25, 2012

Sad News in DIY- Whitehaus and Gay Gardens Sonically Shut Down


Scanning the interwaves today, I came across this sad news in a post from Quilt about two excellent and longstanding alternative venues being forced to stop having shows, the Whitehaus in Jamaica Plain and Gay Gardens in Allston. I worked as the "intern" for the Whitehaus for a year or so and climbing that porch to see what mysteries lied inside that big white Victorian house gave me some of the best memories I have of Boston. The bitter irony is that Massachusetts is widely regarded as one of the most liberal states, yet they are constantly fighting against creative movements like these by doing things like shutting down shows. Police are given an absurd amount of power, levying hefty fines for things even as small as flyers, not to mention the astronomical salaries that officers have or the atrocious racism that they tried to cover up. One would question how open minded the administration really is, but then again it is in a state that had Mitt Romney as a governor. Which is appropriate, because shutting down the Whitehaus and Gay Gardens is akin to giving Big Bird a lethal injection. The saddest part is that the Whitehaus is not only a venue, but an artist's collective host to a slew of excellent bands, and it has forsaken it's website in an internet blackout. Hopefully, it isn't indicative of things happening in the real world. More details are yet to emerge, but here's hoping for the best.




Read about some of my experiences at the Whitehaus here and here. Also with Breakfast of Champs that was also at the Whitehaus. Also, listen to stuff here.


More of my coverage of associated acts:
Read the post from Quilt below:
So, in Boston we started and blossomed as a band in the underground music community here - a lot of the shows took place in houses / lofts / art spaces - and we have consistently been inspired by & part of that scene. Turns out over the past week two of the houses that gave us our start; The Whitehaus in Jamaica Plain, MA and Gay Gardens in Allston, MA have been sonically sunk by the officially capped men of the local government. It is kind of sad, seeing that some of the best music and art that comes out of this city has been born at those places. Just wanted to thank everyone who has lived & hosted art at these spots, they'll be sorely missed, and we're extremely excited to see what you all do next!
~~~ 
Read a good post from Allston Pudding here, from which I stole part of the title.
~~~

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Tuesday, May 08, 2012

VIDEO: Greg Mullen :: Happy Birthday

A classic favorite from Jamaica Plain that is now discovering the heartland in Austin, just released a video for a new song "Happy Birthday." In his journey through the Texan wilderness, he discovered a lone Prada shop on a dusty road and it spoke to him.
Expect a new record very very soon with the Cosmic American Band (tentatively)!


Click here to read a review of his last amazing record, The Hungry Ocean.

https://www.facebook.com/pages/Greg-Mullen/326374501774
http://gregmullen.bandcamp.com/album/the-hungry-ocean

Watch the video below the jump.




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Thursday, April 19, 2012

In the Belly of the Woodrow Wilsons




Jamaica Plain, a part of Greater Boston, is home to many talented musicians that are constantly creating unique and/or bizarre events and contributing greatly to the personality of the city’s DIY music. One such band from the area that has been playing for a few years without laying down a record is The Woodrow Wilsons. It’s made up of some of the nicest and most genuine people you could ever meet. And just like a conversation with one of its members, the music radiates this ineffably positive feeling of warmth and empathy, subconsciously comforting and convincing you that everything is going to be alright. They all play a wide array of instruments, one of the main components being ukuleles that vocalist and multi-instrumentalist Chris McCarthy built himself out of a cigar box. In addition to bass, guitar and drums, the arrangement also includes glockenspiel, horns and a singing saw. The vocals are shared and harmonized between McCarthy and Laura Smith and the collaboration emphasizes the band’s open minds and open arms.

The Woodrow Wilsons recently released its first proper full length, Devil Jonah. The name references the biblical story of Jonah and the whale and has strong motifs of the East Coast and the ocean. As the group explains, the Atlantic seems to have strange powers over them (or at least over Smith). They associate the endless vastness with death and loneliness, but at the same time it’s something irresistible that calls them to get lost in it. It’s this sort of conflict or juxtaposition that is threaded throughout the album. Although one might think Jonah was doomed to be digested in the whale, it was actually the whale that saved Jonah from drowning. Likewise the music is a pleasant balance between somber and joyous. It has ballads and relaxing tunes, but it also has its share upbeat and irresistibly catchy songs like “Anthropomorphism” and “It Always Never Boils (The Kettle Song).”

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Monday, November 21, 2011

The Whitehaus Family Record Family Record Vol 2 :: Are You In Paradise?

Click here to hold this.
The Whitehaus Family Record 
Whitehaus Family Record Family Record Volume 2: Are You In Paradise?
November 11, 2011

Jamaica Plain's The Whitehaus Family Record have released their second vinyl compilation this month. It features a lot of the Mango Nebula's favorite artist's including Greg Mullen, Gracious Calamity, MANNERS, The Needy Visions, Shai Erlichman, Chris North from The Points North, Shira E. from Tiny Tornadoes, and the Woodrow Wilsons. Buy the MP3s or vinyl here.

Find out about the first Whitehaus Family Record Family Record here.

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Wednesday, April 06, 2011

Gracious Calamity :: Carefree Since ´83

Click here to hold this.

Gracious Calamity :: Carefree Since ´83

Whitehaus Family Record ~ Jamaica Plain, MA ~ March 5th 2011

These two lovely ladies finally get to see the release of their first full length. Kate Lee and Kit Wallach carry songs with their incredibly catchy and beautiful harmonies and surround them with guitar and ukelele. Their sweet words form hymns about things ranging from the holy exaltation of music to bubblegum and shoelaces. The girls are joined by other Whitehaus allstars: flute from Regina Peterson of The Points North, drums and things from Greg Beson of MANNERS, bass from Sam Potrykus of The Needy Visions and Ambitious Tugboat and Lord Jeff, and Shira Erlichman of Tiny Tornadoes.

This record was produced maybe even over a year ago at the Shop in Weymouth, MA by Jerry MacDonald. It was laid down using a vintage console, but once the whole thing had been recorded the console broke, trapping the tracks inside. The gang had to wait several months to find a replacement part. Just like their music, this record is product of patience and hope.
Red the Hauscat, entranced by the album.

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Tuesday, March 08, 2011

Do It Together Boston :: 2010 Review, Part II



On a snowless day in January, I moved to Jamaica Plain, Massachusetts. Since the previous summer I had been working to promote and prepare releases with an art collective called The Whitehaus Family Record. Through the group and other associated collectives, I saw most of my favorite shows of 2010 and the Whitehaus even had a hand in one of my favorite records of 2010.

My new apartment was just down the street from their four story house that is best explained as a living and breathing art project. Junk, toys and broken instruments dangle from every corner and every chandelier as an ongoing dumpster diving piece. The place houses anywhere from ten to fifteen people, stacked high on homemade bunk beds or sometimes even living behind a curtain under the stairs. They are any manner of artist including poets, musicians, and visual artists. On any given day, one could walk into the house and find them performing a number of rarities: from remixing the audio from children’s VHSs on a floor littered with pedals to eating extremely salty oysters and preparing a living beverage called Kombucha.

What makes the Whitehaus and also the other musicians in Boston all the more interesting is that they tend to share a collective ethic both musically and spiritually. At the Whitehaus they call it The Yes Wave, and it also serves as their genre to subvert categorization. Sure, it’s based around openness , inclusion, and anti-elitistism, but it’s really about addressing and accepting everything that comes your way. To welcome whoever or whatever comes to your door and wants to play in your living room, to be open to whatever someone is trying to show you.

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Wednesday, November 17, 2010

Whitehaus Interview from "Uncontrollable Urge" Blog


The Homeboys and homegirls at the Whitehaus Family Record just got an awesome interview posted on An Uncontrollable Urge. See Below ::

Quoted from "An Uncontrollable Urge" ::

I found out about Whitehaus Family Record back when I was doing a radio show at WMUA-FM, UMass radio. A record got entered into the new music section by Truman Peyote. It was weird, awesome, contained a cover of a Spacemen 3 song (which was also turned into a Christopher Walken reference), and it was on a record label I’d never heard of before: Whitehaus. A few months passed, and I received a copy of the Whitehaus Family Record Family Record, a compilation CD of tons of artists who’ve recorded on the label, which I liked so much I wrote it up here.
So, of course, I was intrigued. I did a bit of research on the label, and found out that not only did the collective put out records, but they were also a house, a music venue, and, according to their website, about a million other things, including a rotten sinkhole and a heaven on earth. Based out of Jamaica Plain, Massachusetts, the label has put out stuff by the aforementioned Truman Peyote, Prince Rama of Ayodhya, Many Mansions, and a whole slew of other kind (I imagine) and interesting (I know) folks.
Corey and I got in touch with them to pick their brains a bit, and here’s what was asked and answered:
Interview with folks from the Whitehaus Family Record
Corey and David: Why do you run a record label?

Whitehaus: to record and label the things that happen around us. jamaica plain is so juicy. we’ve been having so much fun here and we love documenting and sharing it.
C&D: What are your favorite record labels?

W:
- autumn records - run out of burlington, VT by greg davis. includes great artists like kurt weisman, ruth garbus, chris weisman, greg davis.
- resipiscent records - based in san francisco. the weirdest of the weird… horaflora/ralph white, hans grusel’s krankenkabinet, etc.
- feeding tube records - prolific western mass oddities - cave bears, zebu, ralph white.. great spirit and artwork
- from the heart media - a project devoted to documenting the cape cod music scene. they release tons of kickass recordings for free or very cheap. some really great bands that never left the cape.
- sonic meditations - based in kansas city, MO and run by justin wright of the band expo ‘70. really great drone tapes, records and cds
C&D: What band(s) that are flying a little under the radar should we check out from yr neck-of-the-woods?

W:
- peace, loving - always on tour. the most innovative band in the country. the farthest out jazz.
- the points north - smooth folk inspired by new england living.
- kid romance - sexy, unafraid classic rock.
- the needy visions - catchy garage rock, great musicianship, also form the major booking/promotion group “bodies of water”
- hello shark - sleepy postmodest pop from new england/america.
C&D: How do you define yer record label’s aesthetic? How do you decide what albums to put out?
W: our aesthetic is defined by our time and place and changes rapidly as different people take leading roles within the whitehaus family record. whitehaus releases albums created by people who have either lived at the house itself or are deeply associated with the place and people. historically, there hasn’t been a planning board that decides what albums to put out. more like, if you hang out here and you have a recording you’re proud of, you can do the work and release it on the “whitehaus family record.” this has changed a little bit since we have started putting out vinyl and using community money (raised through organizing events such as Blastfest and Weirdstock) to do that. for the whitehaus family record family record double 12”, there was a lot of meetings to decide who wanted to be on it and who would be on it and what tracks would be used and what the art would be like.

C&D: What would be on your dream compilation?
W: recordings from the great bands that have played at our house and contributed so beautifully to our lives over the last four years — ideally it would be comprised of primarily live @ the whitehaus recordings, since so much of our operation has been focused on the shows that happen here.
C&D: Who’s been the silliest band or musician to work with?
W: raub roy/horaflora. he is the silliest man on earth.


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Wednesday, September 15, 2010

Woodrow Wilsons Video :: Whitehaus Farewell Show



This was an amazing show at the Whitehaus as a farewell to the Woodrow Wilsons for a few months as Laura is going to California. So many cigar box guitars and each member had a cigar box microphone also attached to their mic stands. The band promised that when they reformed there would be a new record, and that is going to be worth waiting for.

http://www.myspace.com/thewoodrowwilsons

http://woodrowwilsons.com/

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Monday, August 23, 2010

Weird Stalk Was Awesome

Last Friday, August 20th, was Weird Stalk Too. Highlight of the night of course was when I was handed a guitar and asked to play some Rockabilly by the spastic otherworldly Cave Bears. Here's some more photos courtesy of Anti-Gravity Bunny. And Weird Stalk Tree...clever Mr. Bunny...they're definitely going to have to call it that.

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Thursday, August 19, 2010

Peace, Loving Video :: Weirdstock!

This is a pretty sweet video from boston.com with interviews by the mythmaker, Brian S. Ellis, that captures Peace, Loving pretty well.
Weirdstock 2 is happening on August 20th at the Temple in JP!


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Tuesday, August 03, 2010

MANNERS : White Wool Fog or the Cave of Light Within LP

<a href="http://manners.bandcamp.com/album/white-wool-fog-or-the-cave-of-light-within">WILL PT 1 by M A N N E R S</a>
MANNERS :: 'Cave Pt. 1'

"A woolly mammoth meditating"

The thing that gets your attention about MANNERS' White Wool Fog or The Cave of Light Within is the fact that it's a cassette and a tuft of dirty wool tied together with orange yarn. When asked about it, songwriter Greg Beson said, "It's just stuff that I like," which makes sense if you know the naturalist, farmer, botanist, stone skipper of Portland, Maine.

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Sunday, July 04, 2010

Quilt :: Agents of Play



"Questing underground into lulling trances"

You’re wandering deep into some catacombs, ossuaries lined with brightly painted skulls, following some faint noise. You don’t know how you got there, but you just have to know what those sounds are and what or who is making them. The deeper you go, the darker it gets, but the louder and more entrancing the chanting and noises become. Just when you think you’re hopelessly lost and the music is the only thing that could possibly be left in the universe and it’s all you will ever really need if you could just find it, a light cracks in from some corner revealing the source: tacos.

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Wednesday, June 30, 2010

Preview :: Lindsay Clark

Lindsay Clark :: New Light

Whitehaus native Lindsay Clark has embarked on a journey to make a new record and the demo she's released is pretty nice, a sweet and delicate folk tune. She's using kick starter to raise funds to make the record. Its kind of cool, because you can buy a hypothetical record before its even made. Help her out with donations: here.




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Thursday, June 17, 2010

Preview :: Avi Jacob - A Thousand


Avi put out an EP with the Whitehaus called A Thousand and I've been digging it a lot recently. The first two tracks or "Side A" feature the Avi Jacob Jam Band Experience. They've got a really great raw, live sound. Side B is Avi doing some acoustics a la Froc-A-Holic with some sweet backing vocals. "Gone Mad" is a great experimentation with both. Sounds like he's been listening to Woody Guthrie.

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Saturday, June 12, 2010

PREVIEW :: Shai :: Seasons of Increasing Light


Whitehaus resident and Breakfast of Champs buddy, Shai Erlichman and some friends have recorded an EP with the Son of Bees. At Blastfest, Shai had invited his parents and sung a song about poaching the bassist from Girlfriends. I kind of expected a lot of his music to be playful and spastic pop tunes. But his home demo release and these four tracks are really meditative and melodic. Contemplative tracks with fists growing into chins, an otherworldly sound juxtaposed with youthful vocals.

It goes together well that Shai recorded with MANNERS' Greg Beson. The really reverby sound and little ambient noise and guitar decorations fit them together well. I can also hear the influence of Mount Eerie's Phil Elverum's recording techniques.

This image might not be the EP cover, Shai made it when I asked if he had an image. I kinda dig it though, because of the double exposure. The overlay looks like a wet blanket, which I find funny and that I think draws up interesting associations for the music.

They're playing around with putting this thing into vinyl, so look out for that in the future. You can catch Shai on July 22nd at either the Temple (670 Centre Street) or the Newton Green Center (Langley and Centre). If you want to hear the whole thing you can contact him through his website or myspace.

Tracklist:

01 The Season
02 I Want to Live, I Want to Stay
03 The Feral Chatter of Dreams
04 Mornings When

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Thursday, June 10, 2010

Preview :: Prince Rama of Ayodhya - Shadow Temple

Download "Prince Rama of Ayodhya - Thunderdrums"

Prince Rama of Ayodhya have announced the release of Shadow Temple on September 14th! On Paw Tracks! The cover is killer. The always interesting covers, like Threshold Dances and Zetland, but instead of collaged photos, its a collage of interesting objects in a photo. This record is going to be a journey. Celebrate the celestial convergence.


Tracklist:

01 Om Mane Padme Hum
02 Om Namo Shivaya
03 Thunderdrums
04 Storm Worship
05 Lightening Fossil
06 Mythras
07 Satt Nam
08 Raghupati



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Wednesday, June 09, 2010

Preview :: M A N N E R S - White Wool Fog


MANNERS IS A GATEWAY. I wandered into the Whitehaus one day for one reason or another and walked in on Greg Beson in the kitchen, arms splayed out, with Red the Whitehaus cat surfing on his back. Somehow that image speaks evocative tomes about MANNERS. A balance of living things. Inner light. The YES WAVE.

MANNERS latest release is a very very limited quantity cassette called White Wool Fog or The Cave of Light Within. It's the same meditative MANNERS we all know and love, but with shredding intensity. These are collectibles made especially for you. Something unique to hold. This one even comes packaged with white wool and a William Blake quote.
Catch MANNERS at Zuzu this monday with The Great Valley. Those guys have been backing him up for his set and it rocks. The MANNERS man, Greg Beson, is also doing a duo thing with Carter Tanton.
MANNERS is also playing on July 12th at the House of Blues front room.



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