Wednesday, September 05, 2012

Rejected Concept for Mature Themes Music Video by Ariel Pink's Haunted Graffiti



FADE IN:

INT. ARIEL PINK’S APARTMENT - NIGHT
Ariel Pink sits at a round, wooden kitchen table, beneath a colored stained glass chandelier. He wears big, pink-tinted sunglasses and a shirt that has large, random sections replaced with black lace. He looks too much like Kurt Cobain. He's playing Battle Ship against a typical thin, hip music video model with a new-wave hairdo, by the name of ROSE (20s). She is his girlfriend and she looks annoyed. We know Ariel has just said something stupid.

ROSE
You're so immature.
ARIEL
But, I really want to talk about mature things.
ROSE
Ariel, we need to talk.
ARIEL
No, look. There’s double agents in Athens. Polymonogamasturbators
running for president. Driftwood in the oil wells and shemales on meth.
There’s a lot of problems with the world right now.

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Tuesday, September 04, 2012

"There is No Nature" Part III, Mount Eerie Sinking into the Ocean Roar


The car sped down the highway with an intensity of some impending unknown cataclysm
until it wasn’t clear if there was still a road underneath the wheels or just falling into the vast
roaring ocean. The foam was blue and iridescent carrying the colors from the dusk into my windshield
or the rain from falling clouds and it was a marimba or a glockenspiel or an organ or something, I
don’t know. On the dock there were pale lights glowing from across the water from houses or
people or lanterns. I heard a voice and called, “Who is there?” but the small yelp on the wind
grew louder until I realized that it was the voice of the water, being carried by waves into a mass
of static fuzz. There was clapping in the clouds turning into the sound of a stream running that
turned into a passing car or an oxygen ventilator. Rain fell into the slapping waves so that water was
everywhere, in the air, the earth, the vessel for the ocean, in me, in the car, in the light trying to shoot
its way through the drops of sound. It washed over noise of children laughing and playing with a
piano and a lovely girl humming. There was a constant beating that made my shoulders tense,
yet at the same time sounds so lulling that they blew the billowy sky over the distance
between me and the island and the mountain. I was there, or I was in the car, or I was off
somewhere making love or dying. There was barely even any rhythm to it. In dreams the ground
drifted off beneath our feet and all the water that was contained underneath seeped up through the
grass. It spoke of ancient questions, sometimes in German. We were sure that the water kept on
going and that swaming it, the distance between the waves and the molecules of the night sun
split before the pixelating mountain. OBFUSCATION. The fog was rolling in from that rocky pile
out west to get tossed in the waves. In the middle of it all, far out enough that the land shrinks
into a tiny dot, it becomes an alien planet orbiting some distant sun that has a name that no human
tongue can pronounce, because it was so heavy and churned like some great wooden mechanism were
below it. A giant wheel turning and keeping everything moving. So vast and empty that it becomes a
desert. The place that is the absence of water is the same as the place that is the absence of land.
Sinking; light doesn’t sink it water. It tries to reach into the deep, but turns into a mess of
rippling expanse. The storm had stopped. My shirt was wet and my pants were dry. I walked
the road back to the town with beads of water sweating off of strands of my hair. The town was
empty. Everyone didn’t even have time to pack up their things before abandoning the place. The world
had stopped moving. I wasn’t even there. Someone was snapping. A final breath of the storm wafted
around in the street before being swallowed by a storm drain. I saw Phil walk out of the studio,
the keys in his hands. He dropped them. He’s standing there dropping them over and over
again, a skipping image of burning film. Over that wild westward expanse there was so much
nothing, but in nothing there was some kind of peace. An easier type of piece. I was trying to reach
for something to hold, but it was something that I couldn’t hold; something dissolving my hands in the
wind. I lay down in bed, with a night cap on that drifted past my waist and had a poofy ball on the
end. I pulled the covers up to my chin and I could still hear the ocean. In this place where he
lived, there was a constant roaring, constant noise all the time. From my bed, I heard it swell and
lengthen. A wailing solo, saying something, but nothing. Roar like an animal. Hungry and adoring. 
***
***

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Friday, August 31, 2012

Berghain Shrines and Purity Rings


The following is a prose poetry narrative inspired by both Purity Ring‘s debut album, Shrines, and a trip I took to Berlin’s infamous electronic music nightclub, Berghain.
It seemed apt for Berlin that Berghain was more or less in the middle of the city, yet in the middle of nowhere. The labyrinth of residential streets and parking lots were occasionally splattered with graffiti, as if indicating the way. Spotted by the likes of the silently laughing Mein Lieber Prost face or a number from Mr. Six or the serendipitously appropriate Escape white rabbit outlined in thick bubbled red; art that would glow for the right eyes, reaffirming that, no, I was not lost. The buildings and paved streets faded away so that grass and dirt and puddles and trees could sprout into a junkyard wasteland. Stumpy and towering forms of either garbage or art sprung out of the ground, not asking the passerby to decide which was which.

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Saturday, July 14, 2012

"There Is No Nature," Mount Eerie Under the Clear Moon, Part II:: The Interview



Published on thebomberjacket.com


Below is the transcript of my conversations with Phil Elverum that inspired "There Is No Nature," Part I, found here.



I had brought a tape recorder with me just in case and switched it on before ever time I went out, so luckily I was able to capture our discussions. Read them below.

MANGO NEBULA: Do you think there’s a difference between Phil in the music and in real life?
Phil Elverum: When I make records, they’re not about me. They kind of are by default just because I write in the first person and there aren’t very many other people in my songs. They’re not songs about interpersonal relationships or anything. At least, usually not. Not lately. Not for the last ten years or something. Yeah, in my mind it’s not about “Phil” necessarily, but I think culturally, outside of the albums themselves, just as part of the mechanisms of making records and being a public figure and playing shows, this character of who I am, “Phil Elverum,” like playing shows, Mount Eerie guy that person is different from who I am when I’m at home living my life. Which I think, you know, everyone has multiple versions of themselves. I’m giving a really complicated answer, but it’s a really complicated question.

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Monday, May 14, 2012

Lotus Plaza and the Liberation of Yellow Balloons


You stand out in the open of a plaza that’s shaped like a lotus, looking at your shoes as you let go of a handfull of yellow balloons. It’s a gray day. So much of a gray day that the sky actually seems to be green. As the bunch of rubber, helium and ribbon transcends the first layer of the earth’s atmosphere, it quickly becomes a small yellow dot in the dusty troposphere. Whenever you see this you can’t help but wonder, what does a balloon feel like when it’s let go into the sky? You can stare at it for as long as it’s visible, but you never see it pop. No matter how many times you see it, the image still sticks with you eerily, just like Spooky Action at a Distance.

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Wednesday, March 21, 2012

Sharing a Beer Bong with The Men


wearethemen.blogspot.com 
published on theBomberJacket.com

Music could be heard as we walked from our car that we parked on the side of the road. A ton of people were already at the party, so the driveway was full of cars and we had to make the hike from down the street. They had given the house a name as people like to do, and it was called Open Your Heart. It always seemed like a weird name to me. Then again, the people that lived there were called “The Men.” Even the girls that lived there were still referred to as “The Men.” I had heard about the party from a friend and realized that I had been to another thing The Men had thrown a year earlier in a different place. That one used to be called The Leave Home House. Those parties were a bit stranger and darker and from what I had heard, this new place seemed a bit more lively and fun.

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Tuesday, March 06, 2012

An Evening with Mr. M and The Great Lambchopsby

www.lambchop.net

published on thebomberjacket.com

The strings swelled as he sat at the piano with his back to an audience that was chatting quietly around candle lit tables. He readjusted his top hat, stroked his moustache, and then rested his fingers on the keys. I was expecting Sinatra when he started playing, but he lazily exuded, “Don’t know what the fuck they talk about…” It seemed as if his voice were foamier that the overly frothy beer that was leaving circles on the top of the old wooden piano. Still, there was something sweet about the gentle vulgarity. His soothing nonsensical words spoke about his coughing grandfather and coffee makers and whether or not he should talk about seagulls. Then he then cued an imaginary flute section that only he grooved along to, because only he could hear it.

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