Thursday, September 29, 2011

Nirvana :: Nevermind...Well, Whatever (Unmastered Reissue Butch Vig and John Peel Mixes)

Nirvana :: Nevermind
Geffen
September 27th 2011
September 24th 1991

The reissue of Nevermind was an event that almost went unmarked on the Mango Nebula calendar for a few reasons. As the band's major label debut, the album was what gave the band global infamy thanks to Geffen's hype machine, and almost assuredly started Kurt Cobain writing drafts of his suicide note. The album bears the marks of something built for the mainstream, the hit single first, close on the sad song, flawless production, and isn't as artistically constructed as its successor, In Utero. However, it's the production of the album that was always the most bothersome. For a punk rock inspired thrash metal band, the glossy production that excised the grunge from grunge of Andy Wallace's mixes never made sense and were markedly different from that of their first, Bleach.

So, when the news came out that the reissue would include Butch Vig's Devonshire mixes and Smart Studio Sessions, as well as John Peel's incredible live BBC sessions, it became a bit more interesting. It seems the most work was put into "Smells Like Teen Spirit" as it is the opener, and it sounds like it could fit right onto Bleach. Other most notable alternate mixes are the "Breed" demo "Immodium," the Smart Sessions "Lithium," and "Drain You" from the BBC. "Immodium" has an energy not present on the already insanely energetic Wallace mix. Cobain messes up the lyrics towards the end, as he often did on stage, but it seems to fit with the already switched around and jumbled words of the confused narrator. The "Lithium" version is incredible because the verses feature an acoustic guitar which slides with poor production into the electric chorus. The John Peel sessions all feature well rehearsed live material and are worth searching for on the internet. Particularly, "Drain You" has a fanatically romantic intensity and even features jangling pocket change and an air compressor or something in the bridge. It's a feat that is hard to figure how they were able to pull it off live. Along with the 'secret track,' "Endless, Nameless," which is a dark botched piece of debauchery also from the BBC sessions and not included on the reissue, these tracks form a different vision of Nevermind that is more consistent with the punk rock Nirvana that preceded and followed it.

Tracklist:
1. Smells Like Teen Spirit (Butch Vig Devonshire Mix)
2. In Bloom (Smart Studios Session Take)
3. Come As You Are (Butch Vig Devonshire Mix)
4. Immodium (Smart Studios Breed Demo)
5. Lithium (Smart Studios Session Take)
6. Polly (Smart Studios Session Take)
7. Territorial Pissings (Butch Vig Devonshire Mix)
8. Drain You (BBC John Peel Sessions)
9. Lounge Act (Butch Vig Devonshire Mix)
10. Stay Away (Butch Vig Devonshire Mix)
11. On a Plain (Butch Vig Devonshire Mix)
12. Something in the Way (Butch Vig Devonshire Mix)
13. Endless, Nameless (BBC John Peel Sessions)



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Tuesday, September 27, 2011

The Drums :: Portamento

MP3: The Drums :: "Money"

The Drums ::
Portamento
Septemeber 2, 2011
Island
thedrums.com

Click here to hold this.



The Drums produce simple freaky indie pop. Due to their slight oddness and geekitude and the albino white of the singer's hair, they remind me of a group you'd find playing in a damp basement club somewhere in central Europe dancing spastically or swinging from a chandelier with one shoe on. I don't know why there's a chandelier in a disco dungeon, but there is.

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Thursday, September 22, 2011

VIDEO: The National :: Exile Vilify

Below is the video for "Exile Vilify," a track The National wrote for the game Portal 2. The group had a contest for the video and this is the result. A lonely sock puppet wandering through the wilderness.

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Monday, September 19, 2011

Hogstompers :: Demos

MP3: The Hogstompers :: "New Revolution"

The Hogstompers ::
Demos from 2009-2010
Yes.Oui.Si!
myspace.com/thehogstompers

bandcamp.com/album/hogstompers

yesouisispace.com


This group is formed by some of the folks responsible for the art and music space Yes Oui Si in the Fenway area near the MFA. This group and that organization are supporting a lot of the most interesting underground music in Boston right now. The Hogstompers are some pretty simple folk country jams. This collection of mostly live recordings and demos is available for free download over at Boston DIY's bandcamp page here.


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Thursday, September 15, 2011

Girls :: Father, Son, and Holy Spirit

MP3: Girls :: "Vomit"

Girls ::
Father, Son, & Holy Ghost
September 13, 2011
True Panther
myspace.com/girls

Click here to hold this.

There's something immediately trite that strikes one about Girls. The simple, maybe even pathetic, lyrics seem only to be saved by the ingenuity of the music. However, things change when contrasted with the background information that the lead singer and songwriter Christopher Owens grew up in the Children of God cult who let his brother die because they didn't believe in medicine and forced his mother to prostitute herself. Once escaping their clutches, a millionaire took Owens under his wing.

At their most brilliant moments, Girls capture a confused adult who is trying to live out a childlike fantasy, where his only concern is chasing after girls, in order to achieve some amount of normalcy, but his hiccuping pop simplicity betrays a suppressed inner chaos, confusion, and disillusioned existence. However, whereas their debut Album addressed Owen's past more,  more often than not on the new album, Girls is just another throwback retro band singing great songs about love.

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Tuesday, September 13, 2011

Neon Indian :: Era Extraña

MP3: Neon Indian :: "Polish Girl"

Neon Indian ::
Era Extaña
September 13, 2011
Static Tongues
neonindian.com

Click here to hold this.

Neon Indian's new album title is curious. It means "It Was Weird," but without any context, the feminine adjective could make it to also mean "She Was Weird." With the title of the last track being "Eras Ending Above Us," there's a "Weird Era" vibe to the album too. Makes you wonder if there's any Deerhunter connection. Below is a live video for "Should Have Taken Acid with You" from Psychic Chasms.

Neon Indian's first album Psychic Chasms from 2009 showed the artist bringing songwriting back to the digisphere. The songs bear a clarity in the vocals and effects that many drone laden contemporaries lack. Of course, the last album had chilled out trance-stramentals as well. The new track follows with a similar vibe. Fallout is cute, but the last album had better word play with songs like "Terminally Chill" and "Ephemeral Artery." Era Extaña still tackles tactful synthesized experiments and explores some distorted droning in addition to their classic bubble gum blips.

Don't miss your chance to snag their invention too, the PAL 198X.

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Monday, September 12, 2011

VIDEO: Neon Indian's New Synth Infomercial :: Pal 198X

Neon Indian's Era Extraña comes out on 9/13 an with one of their limited edition deluxe packages, you can be the owner of a fine synth that they invented themselves. Watch the infomercial below and Enter to win one at stereogum.



Take a gander at what this little device can do::

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Tuesday, September 06, 2011

Monday, September 05, 2011

Handsome Furs :: Sound Kapitol

MP3: Handsome Furs :: "Serve the People"

Handsome Furs ::
Sound Kapitol
Sub Pop
June 28th 2011
handsomefurs.com

handsomefursmusic.tumblr.com

Click here to hold this.

Handome Furs is a "side project" of "Wolf Parade." The quotations imply the latter group's "indefinite hiatus." This fact was what first drew my attention to this album. The second thing was that the band is a husband and wife duo of singer-songwriter Dan Boeckner's and keyboardist Alexei Perry. Sound Kapital really is a whole beast unto itself in comparison to Boeckner's most well known project for a number reasons. Firstly, this is the first album the group wrote entirely on keyboards. Perry brings a garage rock flare to electronics that holds up very well.

Parts of the album were inspired by the band's 2010 tour in Burma. Apparently they had shows with bands that were playing in hiding, being suppressed by the government. Not only did these bands have trouble getting their hands on recording equipment, but they had trouble getting electricity. The opening line makes sense in this context, "When I get back, when I get back home, I won't be the same no more." It's also a great anthem for anyone that's ever been changed by a place they've traveled to.

The album cover and title reflect these international influences as well. Not only does it represent sexual liberation, but also could be viewed as a sort of commentary on the music industry as well as on the band itself when placed alongside the title. Sound as capitol, nudity as promotion. The 'c' of course changed to a 'k' to accommodate foreign languages, like the slew of translations at the top of their website.

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Friday, September 02, 2011

VIDEO: Vivian Girls :: Take it As it Comes

Below is the new video from Vivian Girls. It's pretty straight forward what you'd expect from the song, with the unmasking of a TV static head "Johnny" at the end.

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Friday, September 02, 2011

Mango Nebula Summer 2011 Mixes





 Below are two mixes inspired by my summer, one down and one up.



         

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